#SANS SERIF TYPEFACE ANDROID#

Helvetica Neue has made us a bit spoiled in that regard. Of course, if youвЂ™re a designer, youвЂ™ll cringe at the thought of only 4 styles and just 2 weights. Although it seems like 4 styles are just not enough, they are perfectly fine for most people. PT Sans was designed by ParaType and it comes in 4 styles, normal and bold and italic versions of each. ThatвЂ™s not to say that Lato doesnвЂ™t work well in smaller sizes, itвЂ™s just that it loses many interesting properties when done so. The letters in Lato have some unique curves which can only be seen in larger sizes. It goes from thin all the way to ultra-bold. It was designed by ЕЃukasz Dziedzic and includes 10 styles. Lato is perhaps the most unique and interesting sans-serif font on this list. There are two other excellent variations of Roboto, including Roboto Condensed which has 6 styles and Roboto Slab with 4 styles. Regular Roboto font feels slightly condensed so it allows more characters per line. The font is very modern and essentially combines the best aspects of classic fonts such as Helvetica, Arial, and Univers. Roboto comes in 12 styles with weights ranging from thin to ultra-bold.

#SANS SERIF TYPEFACE ANDROID#

Roboto was designed by Christian Robertson and is the official font family of the Android operating system. Companies who want their brands to appear more youthful and relatable tend to use sans-serif fonts.вЂќ Companies such as Apple, Microsoft, Nike, and Netflix all utilize sans-serif fonts in their branding.The Top 25 Home-Based Business Ideas 2. According to Joe Rinaldi, a UX designer at Impact, вЂњsans-serif fonts give off a feeling of being casual, informal, friendly, and very approachable. Like serif fonts, sans-serif fonts also are able to influence viewers. Some of the more popular sans-serif fonts include Helvetica, Arial, Futura, and Proxima Nova. Headlines and subheads that rely on bold, clear messaging benefit from sans-serif fonts more than from serif fonts. Sans-serif fonts, on the other hand, behave differently from the more traditional serif letterforms. The shapes of the letterforms are flowing and designed to guide the eye to maximize readability and reduce eye strain. For many readers, whether they know it or not, serif fonts convey dependability, perhaps because serif fonts are recognized as the traditionally stylized lettering most used in books. Serif fonts can be seen in many of the brands we recognize today, from Time magazine to The Gap and even the New York Times. According to contentgroup in the article вЂњThe Psychology of Typography,вЂќ serif fonts represent the idea of вЂњauthority, tradition, respect, and grandeur.вЂќ Some of the most used serif typefaces include Times New Roman, Baskerville, Caslon, and Garamond. These forms have a unique look and feel that can influence the way a reader views content. The two font types we will explore are serif and sans serif. To understand how typography can influence us, we must examine the most commonly used forms of typefaces and what they represent. But why do we recognize these design choices as visual transgressions? Is there something in our brains that decides how language should be represented on a page? As it turns out, there is a science behind typography that dictates and influences our psychology and, to some extent, even our physiology. To our horror, weвЂ™ve all come across that document rendered in Comic Sans, or the occasional headline struck in three fonts and four colors. Yet itвЂ™s nearly impossible to ignore when a typographic faux pas occurs. This statement is not intended as a negative commentary on peopleвЂ™s reading habits: well-executed typographic design should be invisible to the reader. When was the last time you found yourself admiring that bold headline or subhead? Or that crisp body copy and well-formatted caption? The truth is that most people rarely consider the typefaces they are bombarded with on a daily basis.

Sans serif typeface